So much awesome going on here. Every once and and a while I get reminded about how much more I need to learn about animation…

(Source: coping-mechanism)

I recently did the animation and compositing for a video in support of the DREAM Act, which aims to provide a path to permanent legal residency for foreign students currently in the country illegally that were brought to The U.S. before they were old enough to make the decision to immigrate on their own. This is a small piece of a large project directed by Davis Guggenheim (Inconvenient Truth, Waiting for Superman) called The Dream is Now. It’s a good cause (unless, I guess, if you’re a racist) and I got to do some fun animation. Check it out!

Cyriak’s new music video for Bonobo is pretty rad. He really is maturing as an artist. Finally here’s one that is just cool and not creepy or gross. Not that I don’t love his creepy and gross things, but it’s nice to see some range. 

And, the behind the scenes….

New Video! I’m actually starring in this one! (I also did most of the visual effects…)

New Reel! Cut by Pascal De Maria.

youthx:

Shugo Tokumaru // Katachi 

Cool stuff!

(via pitchfork)

Earlier this year, I was commissioned to make the title sequence for Oprah and Rainn Wilson’s new show, SoulPancake. The animation I made isn’t until the end of this sneak peak, but it opened the show. I made a little breakdown of the process on my other blog, HERE. Yay, TV!

Help! I’m trapped in my scanner!

Help! I’m trapped in my scanner!

unlikelywords:

Holy crap this wind map is gorgeous. Click the image so you can watch it move. “This map shows you the delicate tracery of wind flowing over the US right now.”
Via @anildash

Buuuuuut, seriously though. 

unlikelywords:

Holy crap this wind map is gorgeous. Click the image so you can watch it move. “This map shows you the delicate tracery of wind flowing over the US right now.”

Via @anildash

Buuuuuut, seriously though. 

Last month, I did the visual effects and animation on this video for St. Lucia directed by Elliot Sellers and co-directed by Carlos Lopez Estrada. Stick around to the end. It gets pretty epic.